things like pay can be discussed privately, i have no idea where to ask for these things

220+ frames from the new Dune movies stuck into my Dune book. I ripped some pages when I was removing the frames after, do not recommend using blu tack!

https://reddit.com/link/1cap014/video/05ecia2j34wc1/player

im a former animation student and i use flipaclip for all my works (mostly because im not really that used to graphic tablets) however im not sure if i may need to use a more complete app and im thinkin to switch to rough, is it good?? if it user friendly what are rhe pros and the cons?? i mostly use flipaclip because i can rig my characters thanks to the lazo tool that helps me to do some sort of cutout animation, can it be replicated in rough?

DiC shows by voice acting pools

Toronto Inspector Gadget (Season 2 to the end of the series) Care Bears Dennis The Menace The Popples The New Archies Dinosaucers Beverly Hills Teens ALF: The Animated Series C.O.P.S. The Super Marios Bros. Super Show The Legend Of Zelda The Adventures Of Super Marios Bros. 3 Swamp Thing Super Mario World Hammerman Stunt Dawgs Madeline (first special only, with the exception of Los Angeles-based Christopher Plummer although Marsha Moreau and Judith Orban reprised their roles for the next 5 specials)

Ottawa/Montreal The Adventures Of Teddy Ruxpin (with the exception of Los Angeles-based Phil Baron and Will Ryan and Toronto-based John Stocker) Madeline (Specials 2-6)

Los Angeles The Littles Inspector Gadget (Season 1) Rainbow Brite Pole Position Heathcliff & The Cadillac Cats Kidd Video Hulk Hogan's Rock 'n' Wrestling The Real Ghostbusters Slimer G.I. Joe (alongside Vancouver) Camp Candy (alongside Vancouver) The Karate Kid Ring Raiders New Kids On The Block The Wizard Of Oz Prostars Sonic (SATAM) Where On Earth Is Carmen Sandiego Gadget Boy And Heather What-A-Mess

Vancouver Barbie & The Rockers (with the exception of Toronto-based John Stocker) G.I. Joe (alongslide L.A.) Camp Candy (alongside L.A.) Captain N The Game Master Madeline (TV series and films, with the exception of Los-Angeles-based Christopher Plummer in the first two seasons) The Hurricanes Adventures Of Sonic The Hedgehog (woth the exception of Los Angeles-based Jaleel White and Long John Baldry) Street Sharks (alongside Omaha) Action Man Pocket Dragon Adventures Extreme Dinosaurs Mummies Alive The Wacky World Of Tex Avery (with the exception of Los Angeles-based Billy West) Sonic Underground (with the exception of Los Angeles-based Jaleel White) Sabrina: The Animated Series (with the exception of Los Angeles-based Emily Hart, Melissa Joan Hart, Nick Bakay, and Cree Summer) Sherlock Homes In The 22nd Century Gadget And The Gadgetinis Alienators: Evolution Continues Mary-Kate And Ashley In Action (with the exception of the Los Angeles-based Olsen twins) Super Duper Sumos Stargate Infinity (with the exception of Los Angeles-based Tifanie Christun) Sabrina's Secret Life (with the exception of Los Angeles-based Tifanie Christun) Trollz (with the exception of Los Angeles-based Brian George) Sushi Pack (with the exception of Los Angeles-based Tara Strong)

Omaha Street Sharks (alongside Vancouver) Archie's Weird Mysteries (with the exception of Los Angeles-based America Young) Liberty's Kids (with the exception of Los Angeles-based Walter Cronkite and various celebrity guests, and Vancouver-based Kathleen Barr) Strawberry Shortcake Horseland (with the exception of Los Angeles-based Tifanie Christun) Dino Squad

Lately, it seems that the animation industry is sick, or at least losing its luster. I don’t like the idea of being on a computer all day or working on some artless movie or TV show. The corporations work you to the bone, and most of the time, it's just another mediocre TV show or movie. And you spend so much time on a computer that hand-drawn animation has become a thing of the past.

I feel like much of the industry has flattened creativity, and I feel very sad. God gave me the talent of being creative, but I don’t know what to do with it. 

I want to live a life where I can maintain my upper-middle-class family lifestyle, but I am also a man who runs on passion. But with the cost of living increasing, I do not know what to pursue. Unlike others, I cannot run on financial motivations alone; otherwise, I would be an accountant or engineer. 

I originally planned on attending animation school; I got into a few, but not the best ones. I also just found that I was not interested in being with just artsy people and wanted friends of other backgrounds, which is why I went to Chico State, which has one of the best animation programs outside of an art school.

However you have to take a bunch of GEs and prerequisites before you can take an animation class, and I want to know if the career is right for me. So now I am majoring in international relations, an interesting but not very profitable skill. I am also thinking of going to trade school and continueing to write my novel or produce some indie comics. Maybe if they suceed they can make it to the screen.

I feel hopeless, angry and depressed. I don't want to be a loser.

How can I keep my creative spirit alive and productive as the world economies change?