Just got an HX stomp and added it to the board (running guitar —> wah —> etc. —>looper—> amp

I have noticed that the board is quiet-er when I take the looper out of the signal chain, but it’s still pretty loud. Is it cheap cables? Cheap power supply?

Does anybody know if effect patches for the Mooer GE150, Harley Benton DNAfx GiT, and Flamma FX100 multi-effects processor pedals are compatible / interchangeable? Can you just rename the file extensions between "*.mo", "*.phb", and "*.pfl"?

Been looking for an amp modeler + distortion pedal that sounds more or less like Nirvana but can still do other tones in one pedal. SansAmp GT2 has been at the top of my list, as the SansAmp Classic costs more in used market.

This is my first time buying an amp modeler and was wondering if this is still a solid pick?

Let me know your thoughts! 🔥🤘

So this seems pretty genius and about on time for holidays... https://www.youtube.com/watch?v=__hPjLUC8Mg

Super duper tiny tubescreamer clone that uses a breakout cable to get smaller than you think. Dang, $99...

Wondering if I’m missing out on the real vibe of the SD-1 if I have the GT-3? People say how great the overdrives and distortion are on the unit. Just not sure if taking advantage of the sale at Sweetwater on the SD-1 would be throwing money away if I can already hit these tones with the GT-3/5 or even the POD GO?

Thoughts?

Have a DSL40CR and can't seem to dial in a nice overdrive or distorted sound without it getting compressed. Can pedals help or likely just compress even further?

First one didn’t work for some reason. Here’s my current setup… more in the comments

Pretty much as described. Does it make sense to get one of these for a quick afternoon session, checking some ideas, playing around? Or is it an overkill?

So far I have tried a JHS Hardeive and a REVV G3. They both sounded like shit, especially the REVV G3. I've tried them in front of the amp and the fx loop. It sounds like a wet blanket over the amp unless I crank the treble, but then it sounds washed out with no definition.

Anyone have any other suggestions they've found to work? The rhythm and lead channels sound great, but I'm just looking for another distortion tonal option.

Hi everyone, I’m in a high school band and recently recorded some pretty cool sounds on two pedals + my guitar (shimmer, modulation etc but the main point is I was playing and working the knobs at the same time so it sounded cool). My question is how do I recreate the sound?? Stupidly I was recording the ceiling but now I have the opportunity to have my stuff recorded professionally and really want this snippet in there. Thank you!!

Has anyone used this with the line 6 dl4? I was gonna order the TT2 but it’s on back order. It looks like the foot switches on this may be too close to the dl4 switches if you use their mounting bracket.

I'm too lazy to open them and date them accurately for this post, so I'll go to the best of my knowledge. In order from left to right;

1976 D&S 1979 D&S 1976 D&S II 1979 D&S II 1980 D&S II OD-802 Bonus: 1979 Ibanez Overdrive II OD-855 (Exact same circuit as the 1979 D&S II, and the pedal that started it all)

The D&S are Big Muff clones with a different tone circuit. Both sound similar but the 1976 sound better, more ballsy. These are amazing.

The D&S II from 1976 has silicone diodes and the one from 1979 has germanium diodes. The one from 1979 is the BEST low/medium gain drive I have.

And the D&S II OD-802 is an absolute and perfect Rock overdrive. No mid-hump like the TS808 and more BALLS.

Hi all, I want my RC5 to go in to dub mode right after recording, but so far I’ve only been able to do so via the Memory/Loop/Rec Action setting, which is specific to the memory slot in which it is done. Is there a way to extend it to all the slots?

I was thinking about picking up a Boss DD-200 to replace my current delay/reverb setup of the GT-1, but there are a lot of Boss DD-20s in my local area for under $100. I am only looking to do the following: slapback delay, a delay without any trail-off for complex rhythmic picking, and some long ambient trailing delays for drones. Seems like the DD-200 is amazing but way overkill for my needs, and although tbh the DD-20 would also be overkill, it looks pretty simple to use and it would cost me about the same as any of the alternatives I was considering anyways, like a used DL4 or the like. Should I save up another $120 for a used DD-200, or go with the DD-20? I have the board space for it so the size is no problem and honestly the DD-20 looks nicer to use

Hi yall,

Im a huge fan of glitch, modulation, delays, downsampling etc and anything that messes with the sound.

Ive gathered a few cool pedals over the years such as a count to five, csidman and a shallow water.

Now with these all being part of my usual setup, im looking for more weirdness to add to my pedalboard (im a synthesist btw)

I just saw the knobs vid of the CB onward and i already was considering the CB habit or Blooper, (even generation loss was on the table, cant remember that slicing one but it resembled csidman too much imo)

So which pedal or chase bliss pedal is the best if ur looking to spice and glitch up ur sounds? All tips are welcome.

Signal Chain:

Poly Tune -> Keeley Compressor -> Velvet Fuzz -> Full Drive 2 -> Ratsbane -> CE-2 Chorus -> Walrus Polychrome -> EQD Dispatch Master -> DD-3T -> Saturnworks Volume knob. All powered by a Voodoo Labs High Current X8

hi,

does anyone have one of these pedals? can you please send me an image of the footswitches used? i bought one but it is missing both foot switches. i can’t seem to find any info online about what type of switch i need. each switch has 2 wires that are attached to the pcb. that’s all i see. any info is greatly appreciated!

I’m in the market for a new octave fuzz and have it boiled down to one of these two or something similar. I particularly like that both have really great eq shaping options and an independent octave up, as I like to add the octave into my other fuzz pedals (a behringer super fuzz and a dod Carcosa).

Do any of you have experience with either? Pros and cons? I don’t really plan on using the different fuzz module circuits if I go with the Jackson but it’s cool that it’s an option.

Thanks all

Just bought this at guitar Center for $45 on sale. It sounded decent to me. Did I get a good deal on it? Also, how do you use it?

I have a 3rd Dimension chorus pedal, and really haven’t wanted any other one. I found this for a very low price used and thought maybe a chorus pedal with knobs would be useful. It sounds pretty good. The Soundtank pedals are crappy and cool looking at the same time. Quite an achievement in design. It sounds like a chorus pedal to me. I like it.