/r/classicfilms
A community for classic cinema enthusiasts who engage in discussions, share insights, and celebrate films from the early 20th century to the mid-1960s. Members appreciate the rich history, themes, techniques, and cultural significance of classic movies.
For the purposes of this sub, we define classic film as the era ending in the early to mid 1960s, when the studio system collapsed.
So please keep this in mind when posting and try to remain on topic.
UPDATE: Due to an influx of reports, posts linking to streaming movies need to be in the public domain and/or are clearly licensed to be streamed at the site.**
++ Please do not post spoilers when posting synopsis :) ++
CLASSIC FILMS is a subreddit founded by Stroud and monoglot for discussing and recommending films in the Golden Age of Cinema, Film Noir, Black & White (Classic) films. It is moderated by them with the help of Jaxspider for CSS development.
Secondarily, some classic genres like for example, the noir genre, has several permutations and may be added to the subreddit.
Lastly, Period-era Films should be submitted to: Period-Era Films
Reddit Pre-1990 Films Top 250
Subreddits of Interest:
Others:
External Links:
/r/classicfilms
She had an uncredited role in the film noir The Turning Point (1952)
She also had an uncredited role as Mrs. Kirk in the Western film Arrowhead (1953), co-starring with Charlton Heston.[11] The following year, she had a supporting role as Betsy Williams in the Western comedy film Ricochet Romance (1954).appearing on television (still using the stage name Judith Ames). From 1954 to 1957, she guest starred on The Public Defender, I Led 3 Lives, Science Fiction Theatre, The Millionaire, Alfred Hitchcock Presents, You Are There, Highway Patrol, Broken Arrow, The Loretta Young Show, Cavalcade of America, General Electric Theater, Tales of Wells Fargo, and The Californians.[13][1][14][5] She made a brief return to film, playing Marion Erschick in the Western Oregon Passage (1957).[15]
From 1958 to 1959, Ames guest starred on Telephone Time, Trackdown, Perry Mason, Man Without a Gun, Lassie, Dick Powell's Zane Grey Theatre, Wagon Train, Westinghouse Desilu Playhouse, Cimarron City, and Wanted Dead or Alive.[5][1][14] In her only regular role on primetime television, Ames played Policewoman Sandy McAllister on The Lineup in the series' final season in 1959.[8][1][5]
She played Alice Hainline in the Western film Gunfighters of Abilene (1960), co-starring with Buster Crabbe and Barton MacLane.[16][17] Ames guest starred on Thriller, Laramie, Stagecoach West, Whispering Smith, 77 Sunset Strip, The Andy Griffith Show, The Fugitive, Arrest and Trial, and Ben Casey.[5][18][1]
What other actor seemed to always played them selve... Like John Wayne did???
A great action movie! One of Errol Flynnās best, acting is great all around. It takes place in 1191 and depict Robin Hood and his Merry Men fighting Prince John while King Richard the Lionheart was imprisoned in the Third Crusade.
I know this isn't exactly a film but it's a damn good Teleplay and a must watch. IMO, the film is good but this teleplay is superior.
Where can I watch this adaptation of the play for free? I canāt find it anywhere and i need to watch for my research.
Relistening to an episode of the podcast You Must Remember This and rediscovered that Billy Wilder had Montgomery Clift as top pick for Sunset Boulevard, but Monty eventually turned down.
I love Monty but to imagine SB without the cynicism of William Holden is almost impossible. It also feels like Holden had a streetsmartness about him that I donāt think Clift ever had.
Recently, I got a chance to see yet another a Oscar Micheaux classic film, Godās Stepchildren. Itās about this light-skinned girl, Naomi, abandoned and adopted into this neighborās family starts to grow up and have all kinds of mixed feelings regarding her racial identity, preferring the company of the white children than the darker children.
She becomes quite the wild child causing all kinds of mischief before being sent off to a convent. Years later, Naomi returns to her hometown a changed womanā¦or is she?
This was a polarizing film for many, some calling it a great film while also saying itās riddled with harmful colorist stereotypes. I mean, I understand both sides and this isnāt the first Micheaux film where heās displayed some sort of colorist commentary.
The film also feels reminiscent of films like Imitation of Life (the original film version having come out a few years prior), yet it manages to tell its own complex story involving raceā¦and also has one of the most disturbing endings Iāve ever seen in a classic film.
Itās a film worth watching, if you want to be introduced or familiar with more of Oscar Micheauxās work. For those who have seen it, Iām curious to know what you all thought.
Put together a little tribute for Universalās Monster films. My favorites are Bride of Frankenstein, Creature from Black Lagoon, and Draculaās Daughter. Which is your favorite?
Happy Halloween!