/r/classicfilms
A community for classic cinema enthusiasts who engage in discussions, share insights, and celebrate films from the early 20th century to the mid-1960s. Members appreciate the rich history, themes, techniques, and cultural significance of classic movies.
For the purposes of this sub, we define classic film as the era ending in the early to mid 1960s, when the studio system collapsed.
So please keep this in mind when posting and try to remain on topic.
UPDATE: Due to an influx of reports, posts linking to streaming movies need to be in the public domain and/or are clearly licensed to be streamed at the site.**
++ Please do not post spoilers when posting synopsis :) ++
CLASSIC FILMS is a subreddit founded by Stroud and monoglot for discussing and recommending films in the Golden Age of Cinema, Film Noir, Black & White (Classic) films. It is moderated by them with the help of Jaxspider for CSS development.
Secondarily, some classic genres like for example, the noir genre, has several permutations and may be added to the subreddit.
Lastly, Period-era Films should be submitted to: Period-Era Films
Reddit Pre-1990 Films Top 250
Subreddits of Interest:
Others:
External Links:
/r/classicfilms
Anyone else a huge fan of James Cagney and Anthony Quinn in City for Conquest (1940)? This was a gem I found looking for Cagney films. We know White Heat and Public Enemy, but by far, this was one of his best performances 🩷 And we love a young Anthony Quinn, too! Fantastic storyline from start to finish, very powerful narrative and well-developed characters - this was one of those characters where he didn’t play the fast-talking, mobster-bully type. Wonder if anyone else loved it, too?!
In danger of being off-topic, does anyone here appreciate classic film art? Including, but not exclusively, film posters? Would anyone be interested in a sub that had this as a theme? This is probably the most iconic.
I know he improvised certain scenes. I just want to know how he practiced them beforehand.
Did he have a regular schedule for keeping himself physically agile and also practicing the stunts?
These were the main awards:
Category | Winner | Nominees |
---|---|---|
Outstanding Motion Picture | How Green Was My Valley | Blossoms in the Dust |
Citizen Kane | ||
Here Comes Mr. Jordan | ||
Hold Back the Dawn | ||
The Little Foxes | ||
The Maltese Falcon | ||
One Foot in Heaven | ||
Sergeant York | ||
Suspicion | ||
Best Director | John Ford (How Green Was My Valley) | William Wyler (The Little Foxes) |
Orson Welles (Citizen Kane) | ||
Alexander Hall (Here Comes Mr. Jordan) | ||
Howard Hawks (Sergeant York) | ||
Best Actor | Gary Cooper (Sergeant York) | Cary Grant (Penny Serenade) |
Orson Welles (Citizen Kane) | ||
Walter Huston (All That Money Can Buy) | ||
Robert Montgomery (Here Comes Mr. Jordan) | ||
Best Actress | Joan Fontaine (Suspicion) | Bette Davis (The Little Foxes) |
Olivia de Havilland (Hold Back the Dawn) | ||
Greer Garson (Blossoms in the Dust) | ||
Barbara Stanwyck (Ball of Fire) | ||
Best Supporting Actor | Donald Crisp (How Green Was My Valley) | Charles Coburn (The Devil and Miss Jones) |
Walter Brennan (Sergeant York) | ||
James Gleason (Here Comes Mr. Jordan) | ||
Sydney Greenstreet (The Maltese Falcon) | ||
Best Supporting Actress | Mary Astor (The Great Lie) | Teresa Wright (The Little Foxes) |
Margaret Wycherly (Sergeant York) | ||
Sara Allgood (How Green Was My Valley) | ||
Patricia Collinge (The Little Foxes) | ||
Best Original Screenplay | Herman J. Mankiewicz and Orson Welles (Citizen Kane) | Norman Krasna (The Devil and Miss Jones) |
John Huston, Howard Koch, Abem Finkel, and Harry Chandlee (Sergeant York) | ||
Karl Tunberg and Darrell Ware (Tall, Dark and Handsome) | ||
Paul Jarrico (Tom, Dick and Harry) | ||
Best Screenplay | Sidney Buchman and Seton I. Miller, based on the play Heaven Can Wait by Harry Segall (Here Comes Mr. Jordan) | Charles Brackett and Billy Wilder, based on "Memo to a Movie Producer" by Ketti Frings (Hold Back the Dawn) |
Philip Dunne, based on the novel by Richard Llewellyn (How Green Was My Valley) | ||
Lillian Hellman, based on the play by Lillian Hellman (The Little Foxes) | ||
John Huston, based on the novel by Dashiell Hammett (The Maltese Falcon) |
Does anyone know what the number 309 signifies in a Humphrey bogart movie? It's for a riddle assigned in class
So often the comment is made that the movie was not as good as the book. What are some movies you believe were as good as or better than the book?
I enjoyed the Dorothy Hughes novel In A Lonely Place. The Humphrey Bogart Gloria Grahame movie based on this book was altered in plot and focus and the result was every bit as good.
Hackman's two Academy Award wins included one for Best Actor for his role as Jimmy "Popeye" Doyle in William Friedkin's acclaimed thriller The French Connection (1971) and the other for Best Supporting Actor for his role as "Little" Bill Daggett in Clint Eastwood's Western film Unforgiven (1992). His other Oscar-nominated roles were in Bonnie and Clyde (1967), I Never Sang for My Father (1970), and Mississippi Burning (1988).
Hackman gained further fame for his portrayal of Lex Luthor in Superman (1978) and its sequels Superman II (1980) and Superman IV: The Quest for Peace (1987). He also acted in The Poseidon Adventure (1972), Scarecrow (1973), The Conversation (1974), A Bridge Too Far (1977), Under Fire (1983), Power (1986), Loose Cannons (1990), The Firm (1993), The Quick and the Dead (1995), The Birdcage (1996), Enemy of the State (1998), Behind Enemy Lines (2001), and Runaway Jury (2003). He also appeared in 1961 Mad Dog Coll,1964 Lilith, and 1966 Hawaii.
These were the awards that year:
Category | Winner | Nominees |
---|---|---|
Outstanding Production | Rebecca | All This, and Heaven Too • Foreign Correspondent • The Grapes of Wrath • The Great Dictator • Kitty Foyle • The Letter • The Long Voyage Home • Our Town • The Philadelphia Story |
Best Director | John Ford for The Grapes of Wrath | George Cukor for The Philadelphia Story • Alfred Hitchcock for Rebecca • Sam Wood for Kitty Foyle • William Wyler for The Letter |
Best Actor | James Stewart for The Philadelphia Story | Charles Chaplin for The Great Dictator • Henry Fonda for The Grapes of Wrath • Raymond Massey for Abe Lincoln in Illinois • Laurence Olivier for Rebecca |
Best Actress | Ginger Rogers for Kitty Foyle | Bette Davis for The Letter • Joan Fontaine for Rebecca • Katharine Hepburn for The Philadelphia Story • Martha Scott for Our Town |
Best Supporting Actor | Walter Brennan for The Westerner | Albert Bassermann for Foreign Correspondent • William Gargan for They Knew What They Wanted • Jack Oakie for The Great Dictator • James Stephenson for The Letter |
Best Supporting Actress | Jane Darwell for The Grapes of Wrath | Judith Anderson for Rebecca • Ruth Hussey for The Philadelphia Story • Barbara O'Neil for All This, and Heaven Too • Marjorie Rambeau for Primrose Path |
Best Original Screenplay | Preston Sturges for The Great McGinty | Charles Bennett and Joan Harrison for Foreign Correspondent • Norman Burnside and Heinz Herald for Angels Over Broadway • Ben Hecht for Angels Over Broadway • Charles Chaplin for The Great Dictator |
Best Original Story | Benjamin Glazer and Hans Székely for Arise, My Love | Hugo Butler and Dore Schary for Edison, the Man • Walter Reisch for Ninotchka • Leo McCarey for My Favorite Wife • Bella Spewack and Samuel Spewack for My Favorite Wife |
Best Screenplay | Donald Ogden Stewart for The Philadelphia Story | Robert E. Sherwood and Joan Harrison for Rebecca • Nunnally Johnson for The Grapes of Wrath • Dalton Trumbo for Kitty Foyle • Howard Koch for The Letter |
Best Art Direction-Interior Decoration, Black-and-White | Cedric Gibbons and Paul Groesse for Pride and Prejudice | Lionel Banks and Robert Peterson for Arizona • Richard Day and Joseph C. Wright for Lillian Russell • Hans Dreier and Robert Usher for Arise, My Love • Van Nest Polglase and Mark-Lee Kirk for My Son, My Son! |
Best Art Direction-Interior Decoration, Color | Vincent Korda for The Thief of Bagdad | Cedric Gibbons and John S. Detlie for Bitter Sweet • Alexander Golitzen for Down Argentine Way • Richard Day and Joseph C. Wright for North West Mounted Police • Hans Dreier and Roland Anderson for Lillian Russell |
Best Cinematography, Black-and-White | George Barnes for Rebecca | Ernest Haller for All This, and Heaven Too • James Wong Howe for Abe Lincoln in Illinois • Charles B. Lang Jr. for Arise, My Love • Rudolph Maté for Foreign Correspondent |
Best Cinematography, Color | Georges Périnal for The Thief of Bagdad | Arthur C. Miller and Ray Rennahan for Down Argentine Way • Leon Shamroy and Ray Rennahan for North West Mounted Police • Sidney Wagner and William V. Skall for Northwest Passage • Oliver T. Marsh and Allen Davey for Bitter Sweet |
Best Film Editing | Anne Bauchens for North West Mounted Police | Hal C. Kern for Rebecca • James E. Newcom for The Doctor Takes a Wife • Warren Low for The Letter • Sherman Todd for The Grapes of Wrath |
Best Sound Recording | Douglas Shearer for Strike Up the Band | John Aalberg for The Grapes of Wrath • Bernard B. Brown for Spring Parade • Thomas T. Moulton for Too Many Husbands • Charles L. Lootens for Behind the News • Elmer A. Raguse for Captain Caution • Loren L. Ryder for North West Mounted Police • Nathan Levinson for The Sea Hawk |
Best Special Effects | Lawrence W. Butler and Jack Whitney for The Thief of Bagdad | Roy Seawright for Topper Returns • Farciot Edouart and Gordon Jennings for Dr. Cyclops • A. Arnold Gillespie and Douglas Shearer for Boom Town • Fred Sersen and Edmund H. Hansen for The Blue Bird • John P. Fulton and Bernard B. Brown for The Invisible Man Returns |
Best Music (Scoring) | Leigh Harline, Paul J. Smith, and Ned Washington for Pinocchio | Alfred Newman for Tin Pan Alley • Victor Young for Arise, My Love • Werner Heymann for The Road to Singapore • Louis Gruenberg for The Fight for Life |
Best Music (Original Song) | Leigh Harline, Paul J. Smith, and Ned Washington for "When You Wish Upon a Star" from Pinocchio | Roger Edens and Georgie Stoll for "Our Love Affair" from Strike Up the Band • Jimmy McHugh and Harold Adamson for "I'd Know You Anywhere" from You'll Find Out • James Monaco and Johnny Burke for "Only Forever" from Rhythm on the River • Artie Shaw and Johnny Mercer for "Love of My Life" from Second Chorus |
Best Short Subject (Cartoon) | The Milky Way | Puss Gets the Boot • A Wild Hare |
Best Short Subject (One-reel) | Quicker'n a Wink | London Can Take It! • More About Nostradamus • Siege |
Best Short Subject (Two-reel) | Teddy, the Rough Rider | Eyes of the Navy • Service with the Colors |
Best Documentary Short Subject | The Fight for Life | Inside Nazi Germany • Kukan • A New Voice |
Best Documentary Feature | The Land | The Ramparts We Watch |
I have been using earbuds to watch these old classics.
I have found it to be a more immersive experience .
Try it -- maybe cool for you too
I don’t see any streaming options, free or paid, but maybe I’m missing something. Seems an obvious classic to have available one way or another, although I have yet to see the whole movie—would love to if anyone has a lead.
Thanks, Paul
Hi, I am new to the group and I love classic films. My most recent purchase of a classic movie is "The Thin Man Collection " on blu ray from Warner Archive, George Feltenstein and the folks over at Warner Archive did a fantastic job of restoring the films. It is one of my favorite movie series . So my question is what are some of your favorite classic movie series ?