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Straight outta Aberdeen?

The hardcover of Mud Ride: A Messy Trip Through the Grunge Explosion by Steve Turner is only $5 on amazon right now despite the paperback being $20. Don't know why this is, but THAT'S A DEAL

We later that day went to Silver Platters and I was able to grab the soundtrack on vinyl.

I've heard from various people that STP can not be considered grunge because they originated on Ohio but there are also another group of people that do consider STP as a grunge Band. What are your opinions on this?

Are there any bands in particular that take a lot from folk rock? Like have an infusion of folk with the heavier elements found in some grunge music. I know Pearl Jam has some of those elements, but I'm talking more stripped back and less polished.

It’s crazy how brilliant this album is. It somehow still feels underrated and has an arguement for being possibly thee best album - not just in grunge but possibly in the history of rock, or honestly all of music in general! The fact that it’s a tribute to Mother Love Bone’s Andrew Wood (vocalist and amazing piano player) - with a few former members and all of future Pearl Jam since Matt Cameron eventually became the full-time drummer - just makes it an album formed completely from the heart and full of soul. This band was literally the polar opposite of a cash grab opportunist band. Apparently the band just wanted to make music in a stress free manner with little expectations, and boy did they surpass any that may have been placed upon them. Saying that even feels like a heavy understatement!

The fact that the project’s lead vocalist was a very close friend of Wood’s in Chris Cornell - who also died tragically - makes it even more touching. Side note, but Jerry Cantrell if AiC was supposedly very close to Wood and obviously Cornell as well. Wood permanently left his mark on the Seattle scene a year and a half before before it even became mainstream, and if you listen closely you can tell every bands’ sound - musically and lyrically - got quite darker following his untimely passing. I don’t think that’s a coincidence.

When he heard the tragic news, Cornell initially wrote two songs in the heavenly (no pun intended) Say Hello 2 Heaven - cleverly released as a single - and the unbelievably EPIC Reach Down. The former is a beautiful, bluesy song which passionately shows Cornell’s full vocal range and beautiful lyricism. Reach Down is simply put, one of the greatest and most epic songs in existence. Eleven minutes long with a guitar riff that is bone-crushing and very likely the best solo I’ve ever heard, especially when you consider McCready’s headphones flew off about halfway through the recording it - forcing him to sort of “wing it” (lol) without having a backing track to hear. Not one second of the song fails to capture one’s attention - which is nothing less than astounding considering the length of it. Cornell could’ve stopped there and had an epic dual single or even an EP considering he already had be nearly 20 mins (17 minutes and 37 seconds to be exact) material! This easily could’ve been all that was written… but then fate intervened in the best way possible!

Former Mother Love Bone rhythm guitarist Stone Gossard and bassist Jeff Ament - primary songwriters for MLB and earlier in Green River (another legendary grunge band) - wanted to collaborate with Cornell to put themselves in position to write and play music before the time off caused them to get rusty with playing or songwriting. With this in mind, Cornell wisely enlisted the other soon-to-be Temple of the Dog musicians (Gossard, Ament, Mike McCready and Matt Cameron) and a masterpiece was about to be born!

The album’s lead single, Hunger Strike, is a brilliant piece that features a fresh and truly immaculate young voice from San Diego in the incredibly charismatic Eddie Vedder, who was actually auditioning for Gossard and Ament’s new band that you may have heard of (Pearl Jam). The story goes that Cornell - hard to believe - was having trouble hitting the lows as he wanted them to sound and Vedder simply took the mic and naturally delivered the vocals exactly as Cornell had wanted them to sound! I think it’s safe to say Vedder passed his audition with flying colors due to his incredible power, elegance and charisma (and quickly developing song-writing). The song’s drop D tuning and the darker sounding post-chorus riff give it a very proper grunge edge. Say Hello To Heaven and Hunger Strike quickly became staples of ‘90s radio stations worldwide.

Digging deeper, Pushin’ Forward Back (the third single) and Your Savior combines Mother Love Bone’s street rock approach with Pearl Jam’s more serious hard rock sound. The former features a powerful rhythm guitar riff, soaring lead riffs, Cornell’s finest vocals and the best backup vocals you could ask for from Vedder. Skipping ahead to track eight, Your Savior provides some extremely impressive (and aggressive) drumming, guitar tracks and again Vedder’s unmistakably brilliant sounding backup vocals that could not complement Cornell’s lead vocals any better! This is definitely a favorite among favorites for myself, and perfectly follows the track Wooden Jesus in my humble opinion.

Call Me a Dog and Times of Trouble are, without doubt, two of the most beautiful ballads I’ve ever heard. The former slowly builds up momentum with lovely piano playing and a quieter guitar that seemingly gets louder as the song goes on until it reaches a crescendo, as the bridge hears Cornell belting out some seriously high lead vocals and then McCready blazing through with another divine solo! Times of Trouble is a very interesting piece of music to say the least. It was actually also used for Vedder’s auditioning as well as this albums in the absolutely alluring Pearl Jam song Footsteps, which had a more stripped down approach. Times of Trouble on the other hand features the music’s absolute full potential being unlocked with a more solid production, a more eventful buildup that includes gorgeous sounding piano and even a harmonica solo for good measure. This is blues rock at its absolute finest!

Wooden Jesus continues the beautiful ballad sound, with probably my favorite bassline of the album and adding another layer to the music with a what I believe is a very prominent and majestic-sounding banjo (if not it’s an acoustic) during the second verse and Cornell just absolutely owns it vocally on this track McCready’s criminally underrated guitar solo ties it all together perfectly. Four Walled World - along with Times of Trouble - captures Chris Cornell’s bluesiest sound I’ve ever heard on record, and the extended outro allows him to get some serious wails out along with another epic McCready solo. Four Walled World is a very strong track and gives me vibes of Pearl Jam’s soon-to-heard songwriting. In particular Four Walled World sounds sort of like precursor to Pearl Jam’s Deep. I’m not sure why exactly but they remind me of each other. Both have very bluesy riffs although Deep is definitely a harder edged track (love the phaser effect on it). But listening to it now it is more bluesy than I remembered for being one of the heavier Ten tracks. The main riffs are what sound similar to me.

All Night Thing is among the best album closers I’ve ever heard, settling the album and night with a beautiful ballad that feels a bit influenced by The Doors due to the use of an organ for the main melody (courtesy of the great Rick Parasher). I love that they went this route for the closing song. It makes me want to restart the album when it finishes so amazingly like that! This album has shades of Led Zeppelin all over it and I mean that in the best way possible. Heck even Chris Cornell and Robert Plant have very similar vocals imo and virtually identical vocal range at four octaves (although I’ve heard five for both as well) with the ability to croon or wail with the best - well they are the best lol.

The album is perfect from start to finish. Everyone served their purpose immaculately. Every single note, chord, lyric / vocal on this album feels perfectly placed. From the opening tracks that Cornell penned as soon as he heard the tragic news to the full on blues rock of the middle to the end of the album. I love the Mother Love Bone flavor to many of the tracks - particularly Pushin’ Forward Back and Your Savior imo. All Night Thing is among the best album closers ever in regards to softer gentler closers, which also includes Mother Loce Bone’s Chloe Dancer/Crown of Thorns (Shine EP and Apple - but without Chloe Dancer for the latter for whatever silly reason as both together created the “Stairway to Heaven of gen X”). Also including a piano - again courtesy of Rick Parasher - in a few songs was absolutely poetic being that it was Wood’s instrument of choice. I just wish he could’ve been the one playing piano on a Mother Love Bone and Soundgarden collaboration where they still somehow find Eddie Vedder and Mike McCready. If this album shows us anything, it is that tragedy can often sparks a passionate flame that otherwise cannot be equaled. Mind Riot by Soundgarden is further proof in this particular case.

Also my other picks for best softer album closers - so excluding all harder songs, or this will go on forever lol - plus closing with a gentler song I’ve always preferred as it feels like the albums way of saying “goodnight” which the first of these songs I’m going to list literally does! Jane’s Addiction’s Classic Girl (Ritual de lo Habitual), Pearl Jam’s Release (Ten), Pearl Jam’s Indifference (Vs), Alice In Chains’ Over Now (Tripod), Nirvana’s Something in the Way (Nevermind), Led Zeppelin’s Tea for One (Presence), Aerosmith’s You See Me Crying (Toys In The Attic) Aerosmith’s Home Tonight (Rocks).

Thank you to those who took the time to read my review of my favorite album of all-time! Rest in Peace to the great musicians / producers and human that were Andrew “Andy” Wood, Chris Cornell and Rick Parasher (producer for Temple of the Dog’s eponymous album and Pearl Jam’s Ten). You will all live on forever through your incredible music and be forever loved! Thank you from the bottom of my heart ❤️

It's underrated or no???

[SOLVED]

I'm making a Spotify playlist thats called 'Grunge: Best Of'; and I love APC, so would it fit?

1990: Bossanova (Pixies) 1991: Badmotorfinger (Soundgarden) 1992: Incesticide (Nirvana) 1993: Siamese Dream (Smashing Pumpkins) 1994: Jar of Flies (AiC) 1995: Washing Machine (Sonic Youth) 1996: No Code (Pearl Jam) 1997: The Colour and the Shape (Foo Fighters) 1998: Yield (Pearl Jam) 1999: The Fragile (NIN)

What about y’all?

PS yes, not all of these are grunge, but grunge is a stupid corporate label anyways

The forms are out and I have no idea what to put. Thought about “Please mother mercy, take me from this place”

Looking for songs to absolutely obliterate my heavy bag to

I made this band called PRIMAL RIFT but I feel like something else can be done to make it sound more original and not ripped off of PRIMAL SCREAM.

My Chemical Romance - Mama (Vocal Cover) (youtube.com)

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Hope you'll enjoy my cover!

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Have a great day!

What is the non grunge bands you listen the most?

For me it's: Audioslave , Undrop, Chris Cornell solo , incubus , soda stereo, smashing pumpkins, tonic, brother cane, vertical horizon, lifehouse, pinback, Interpol, velvet revolver, hootie & blowfish, porcupine tree, steely Dan, RHCP, manic street preachers

What about you?