/r/Music
Reddit’s #1 Music Community
LATEST:
Recent:
Norah Jones ama: link
Rick Astley ama: link
Brian Wecht of Ninja Sex Party ama: link
Five Finger Death Punch ama: link
1. No music from the 'Hall of Fame'
Do not post music from the HoF, unless it's a new release, and flaired as such.
2. No "discussions" about, of, or for yourself.
Discussions about music are great. Avoid discussions 'about you.'
3. Artist - Title [Genre] Optional text
Streaming music submissions include the artist, song name, and genre, using this format. Optional additional text may only be included after this part of the title.
4. 30-day artist repost limit
Music by artists who recently had a popular post (100+ upvotes) is automatically removed for the next 30 days to ensure content is fresh. If your post is removed, consider trying another artist.
5. No clickbait titles or emotional appeals
Music should stand on its own. No emotional appeals, asking for votes, or other 'clickbait' titles. Use the comments section to share interesting stories about music.
6. High-quality discussions only
Discussion posts should be thoughtfully crafted to encourage meaningful, civil, and constructive conversation; avoid low-effort requests for artist, song, or album recommendations.
7. Don't post your own music
Users must read and understand self-promo guidelines before posting.
8. No /r/ifyoulikeblank, /r/tipofmytongue, or request-style posts
For recommendations of new artists similar to those you already like, use /r/ifyoulikeblank. For help with identifying a song, use /r/tipofmytongue or /r/namethatsong.
9. External links should use official artist channels
External links should use respective artist channels when possible. Exceptions are made for exclusive/limited releases, on sites where such channels are unavailable, or at staff discretion.
Whenever possible, external links should direct to artists' official channels. Exceptions are made for exclusive releases, region-restrictions, certain live performances, and other circumstances, such as when an official source is unavailable.
10. No solicitation
No crowd-funding, surveys, data-mining, questionnaires, signup/voting requests, etc.
11. No links to unauthorized music leaks or promotion of piracy
No links to downloadable music, promotion of piracy, or unauthorized leaks.
12. Stay in-tune: No off-topic posts.
Submissions relating to statements/actions by musicians not relevant to their musical work are not allowed. Articles discussing events in musician's lives are subject to mod discretion.
13. Be civil. Follow Reddiquette at all times.
Don't kill the vibe. Use common sense and don't be a jerk.
14. No playlist sharing posts
Do not post playlists. Refrain from efforts to share or create playlists, mixtapes, or songlists.
15. No AI, low-effort, or hastily-written posts Low-effort content will be removed. AI content is forbidden.
/r/Music
Hi everyone,
I’ve been reflecting on songs that have a similar emotional intensity to John the Revelator, but where the music itself carries most of the weight rather than the vocal delivery. For example, tracks that use instrumentation, rhythm, or atmosphere to create a haunting, raw, and powerful feeling.
I’d love to hear your thoughts: What are some examples of songs that achieve this kind of impact? Do you think it’s the arrangement, instrumentation, or something else that gives such songs their weight?
Hey I’m V, I’m 16 and Ive been struggling with depression for years now. As a gay teenager I just feel like no man is ever gonna love me. Do you have any sad gay songs recommendations that I could cry to ? Thx !
Take care, V
Hi everyone,
I’ve been contemplating whether or not to post this, but I think it’s important to share my experience with VerseOne, a music distribution platform that has handled my label’s releases for a while now. As an independent label owner in the UK, representing a handful of artists with decent streams and revenue, what’s happening right now is alarming, and I suspect we may be witnessing a textbook exit scam.
The Backstory
I’ve been with VerseOne for over a year, distributing music for my label’s artists through their platform. At first, things went smoothly. Royalties were reported accurately, and payments came through on time. For smaller independent labels like mine, that reliability is everything.
Then, about 8 months ago, payments suddenly stopped. I gave them the benefit of the doubt at first, thinking it was a temporary issue — maybe a technical glitch, or they were restructuring their operations. I reached out repeatedly, and after weeks of silence, they finally responded with vague excuses about delays with DSPs (digital service providers) and “unexpected challenges.” But that reassurance was short-lived.
What’s Happening Now
Fast forward to today:
No Payments for 8+ Months:
My unpaid royalties now total around $100,000. For a small independent label, that money is vital — it’s what keeps my business running and ensures my artists get their share.
Site Shutdown:
Around 2–3 weeks ago, the VerseOne website went offline without any prior notice. At first, I thought it might be server maintenance, but days turned into weeks with no updates.
Blocked Access:
This week, I tried logging into my account again, only to find out that I’ve been blocked. I can no longer access any of my data, my artist reports, or royalty breakdowns. The fact that I’ve been outright locked out while the site remains offline feels like a deliberate attempt to sever all communication.
Why I Suspect an Exit Scam
Looking at the pattern, the signs of an exit scam seem clear:
Stalling Tactics:
VerseOne spent months deflecting and delaying payments, buying time to avoid legal scrutiny while presumably continuing to collect revenue from DSPs.
Website Shutdown:
This abrupt closure feels intentional — like they’re shutting down to avoid further accountability. If it were just a technical issue, why block users or fail to communicate?
No Transparency:
Legitimate companies, even those in financial trouble, usually provide updates or communicate with their users. VerseOne has gone silent, offering no explanations or timelines.
Plausible Deniability:
By claiming payment delays from DSPs, they’ve created a convenient excuse to avoid payouts while keeping operations running in the background — for as long as they needed to collect enough funds.
As someone with six-figure royalties stuck, this situation is devastating. But it’s not just about me. If VerseOne is indeed pulling an exit scam, countless other independent artists and labels are likely in the same boat. This is money that people rely on to sustain their careers, and the fallout could ruin small businesses like mine.
It’s hard to overstate how devastating this situation feels. VerseOne was supposed to be a partner, helping independent artists and labels thrive in the music industry. Instead, it seems they’ve exploited that trust to disappear with substantial sums of money that rightfully belong to us.
If you’re reading this and have also been affected, please share your experience. Let’s hold VerseOne accountable, ensure this doesn’t happen to others, and do everything we can to recover what’s owed.
Stay strong,
Mark
An Independent Label Owner
Kendrick dropped a new album,
This man is absolutely incredible. A complete and utter genius, we are so incredibly privileged to be able to enjoy this man’s artistry in our lifetime.
Listen to this album, do not skip a track, do not shuffle!
All hail the king KENDRICK LAMAR DUCKWORTH
THIS MAN HAS NEVER MISSED!
There's a singer from Serbia Didi J who claims she so popular in the world, but we never heard that any foreigner knows her. She thinks she's as big as Lady Gaga, that people want a picture with her everyday in USA.
So, please tell me have you ever heard of her, or listened to her music?
Hello guys, I just made a remix of Travis Scott that I want to share here, the duration is more than 9 minute and the video clip is really cool. ENJOY !!!
I am constantly looking for more new music.
Back in the day, I only found new music mostly via the radio but also occasionally friends, local bar bands (when single) and concerts (warmup bands … Train was originally a warmup band for Counting Crows). In the 90’s there was a disk jockey on KFOG in the Bay Area that turned me into a lot of new music but he retired. It was a sad day for me.
Not much new music till I went digital with iTunes. For a while, I would pick on suggestions or dig deep into the music of other favorite bands.
Moved to the Raleigh area with family in tow. About two years ago this new station came on the air … THAT STATION (95.7) located in North Carolina. It rocked my music world. First, they played music I really liked but much more importantly, they play a lot of new music or recent music (last 10-15 years) that I’d never heard before. Then, I found one of the disk jockeys just completely mind melded with my musical tastes and I rarely go a day now without adding a new song on my list.
I’m a pretty happy person but it’s surprised me how much happiness this has brought to my life. I’m over the moon with gorging on new music. It’s awesome.