The exhibition name was "Век 19-й. Изменчивая мода. От ампира до модерна"

https://msk.globalcity.info/article/09/11/2023/1005129

<div class="md"><p>The exhibition name was &quot;Век 19-й. Изменчивая мода. От ампира до модерна&quot;</p>

<p><a href="https://msk.globalcity.info/article/09/11/2023/1005129">https://msk.globalcity.info/article/09/11/2023/1005129</a></p>
</div>

Star themed fetish boots, 1890s. Belgium. Nazim Mustafayev private collection exhibited in Moscow

1,2 – Diana Slip, 1930. FIT Collection

3 – 1900, Austria. International shoe museum 

4 – 1900, Austria. International shoe museum

5 – late 1920s, Sweden. Bata shoe museum

6 - 1920s, Maniatis Bottier. The MET collection 

7 – an image of a person wearing fetish boots, 1920s

8,9 – an image of a woman wearing fetish corset and boots, 1900. LACMA 




https://www.kerrytaylorauctions.com/auction/lot/20-a-fine-and-rare-pair-of-diana-slip-fetish/?lot=11836&sd=1


https://sites.courtauld.ac.uk/documentingfashion/2021/11/30/shoe-fetish-the-glorification-of-female-discomfort/

https://www.etsy.com/pl/listing/603025199/vintage-1920s-masked-dominatrix-with-a

https://blog.metmuseum.org/blogmode/2008/03/22/bootleg-sin/

https://collections.lacma.org/node/220200


<div class="md"><p>1,2 – Diana Slip, 1930. FIT Collection</p>

<p>3 – 1900, Austria. International shoe museum </p>

<p>4 – 1900, Austria. International shoe museum</p>

<p>5 – late 1920s, Sweden. Bata shoe museum</p>

<p>6 - 1920s, Maniatis Bottier. The MET collection </p>

<p>7 – an image of a person wearing fetish boots, 1920s</p>

<p>8,9 – an image of a woman wearing fetish corset and boots, 1900. LACMA </p>

<p><a href="https://www.kerrytaylorauctions.com/auction/lot/20-a-fine-and-rare-pair-of-diana-slip-fetish/?lot=11836&amp;sd=1">https://www.kerrytaylorauctions.com/auction/lot/20-a-fine-and-rare-pair-of-diana-slip-fetish/?lot=11836&amp;sd=1</a></p>

<p><a href="https://sites.courtauld.ac.uk/documentingfashion/2021/11/30/shoe-fetish-the-glorification-of-female-discomfort/">https://sites.courtauld.ac.uk/documentingfashion/2021/11/30/shoe-fetish-the-glorification-of-female-discomfort/</a></p>

<p><a href="https://www.etsy.com/pl/listing/603025199/vintage-1920s-masked-dominatrix-with-a">https://www.etsy.com/pl/listing/603025199/vintage-1920s-masked-dominatrix-with-a</a></p>

<p><a href="https://blog.metmuseum.org/blogmode/2008/03/22/bootleg-sin/">https://blog.metmuseum.org/blogmode/2008/03/22/bootleg-sin/</a></p>

<p><a href="https://collections.lacma.org/node/220200">https://collections.lacma.org/node/220200</a></p>
</div>

A collection of fetish boots. 1900-1930s

What can Wally’s 1890s outfits reveal about a life cut short?

https://collections.lacma.org/node/224812

<div class="md"><p><a href="https://collections.lacma.org/node/224812">https://collections.lacma.org/node/224812</a></p>
</div>

Woman's Dress and Petticoat (Robe à la française), France, textile circa 1750, constructed circa 1760.

Courting Controversy — The History of Tennis and Women’s Clothing

https://collections.vam.ac.uk/item/O115754/bodice-unknown/

<div class="md"><p><a href="https://collections.vam.ac.uk/item/O115754/bodice-unknown/">https://collections.vam.ac.uk/item/O115754/bodice-unknown/</a></p>
</div>

Satin bodice with slashing, 1630-39. V&A collection

https://collections.vam.ac.uk/item/O251120/wedding-dress-unknown/

<div class="md"><p><a href="https://collections.vam.ac.uk/item/O251120/wedding-dress-unknown/">https://collections.vam.ac.uk/item/O251120/wedding-dress-unknown/</a></p>
</div>

Silk satin and lace wedding dress, 1848. V&A collection

Evening dress by Norman Norell American, ca. 1968

https://collections.vam.ac.uk/item/O315797/afternoon-dress-appel-new-york/

<div class="md"><p><a href="https://collections.vam.ac.uk/item/O315797/afternoon-dress-appel-new-york/">https://collections.vam.ac.uk/item/O315797/afternoon-dress-appel-new-york/</a></p>
</div>

Afternoon dress by Appel, 1895. V&A collection

https://collections.vam.ac.uk/item/O137794/bodice-unknown/

<div class="md"><p><a href="https://collections.vam.ac.uk/item/O137794/bodice-unknown/">https://collections.vam.ac.uk/item/O137794/bodice-unknown/</a></p>
</div>

Lace bodice, 1660-69. V&A collection

https://collections.vam.ac.uk/item/O135455/dress-sara-mayer/

<div class="md"><p><a href="https://collections.vam.ac.uk/item/O135455/dress-sara-mayer/">https://collections.vam.ac.uk/item/O135455/dress-sara-mayer/</a></p>
</div>

Evening dress by Sara Mayer & A. Morhanger, 1889-92. V&A collection

https://www.kci.or.jp/en/archives/digital_archives/1900s/KCI_138 

<div class="md"><p><a href="https://www.kci.or.jp/en/archives/digital_archives/1900s/KCI_138">https://www.kci.or.jp/en/archives/digital_archives/1900s/KCI_138</a> </p>
</div>

Evening dress designed by Jacques Doucet, made of black silk lace with bead embroidery and velvet, silk chiffon sleeves with inset lace, and a belt of gold grosgrain ribbon, c. 1903. Kyoto Costume Institute

https://collections.vam.ac.uk/item/O118153/pair-of-boots-unknown/

<div class="md"><p><a href="https://collections.vam.ac.uk/item/O118153/pair-of-boots-unknown/">https://collections.vam.ac.uk/item/O118153/pair-of-boots-unknown/</a></p>
</div>

Red boots, 1920. Retailed by the National Shoe Stores in London. V&A collection

https://collections.vam.ac.uk/item/O1115591/theatre-costume/

<div class="md"><p><a href="https://collections.vam.ac.uk/item/O1115591/theatre-costume/">https://collections.vam.ac.uk/item/O1115591/theatre-costume/</a></p>
</div>

Pablo Picasso's first ballet costumes, 1917. V&A collection

https://collections.vam.ac.uk/item/O164353/carresaute-evening-dress-lucile/

<div class="md"><p><a href="https://collections.vam.ac.uk/item/O164353/carresaute-evening-dress-lucile/">https://collections.vam.ac.uk/item/O164353/carresaute-evening-dress-lucile/</a></p>
</div>

Evening gown by Lucile, 1905. V&A collection

American sporting dress, late 1880s

Design House: Alix
French Designer Madame Grès (Germaine Émilie Krebs)

During the mid- to late 1930s, ethnic clothing traditions exerted a powerful influence on fashion. borrowed from a multiplicity of cultures, using elements from the cut of saris, dhotis, caftans, and kimonos. For this "Pagoda" dinner jacket, she drew inspiration from the jackets worn by Balinese dancers. Appropriately, it was made specifically for the Spanish dancer Argentina.
The lining revealed at sleeve cuffs and collar is the verso of the brocade with embroidered hummingbirds. The structure of the wired hoops that articulate the flare of the jacket is in marked contrast to the pliable shaping of cuffs and neckband, a shirred modified mandarin collar. Typical of Alix's use of asymmetry for its poised disequilibrium, the jacket's center front opening is shifted to the left of the body.

The jacket is amazing and I gasped when i saw the first picture. IMHO it works better without the pants.

https://www.metmuseum.org/art/collection/search/82104

<div class="md"><p>Design House: Alix
French Designer Madame Grès (Germaine Émilie Krebs)</p>

<p>During the mid- to late 1930s, ethnic clothing traditions exerted a powerful influence on fashion. borrowed from a multiplicity of cultures, using elements from the cut of saris, dhotis, caftans, and kimonos. For this &quot;Pagoda&quot; dinner jacket, she drew inspiration from the jackets worn by Balinese dancers. Appropriately, it was made specifically for the Spanish dancer Argentina.
The lining revealed at sleeve cuffs and collar is the verso of the brocade with embroidered hummingbirds. The structure of the wired hoops that articulate the flare of the jacket is in marked contrast to the pliable shaping of cuffs and neckband, a shirred modified mandarin collar. Typical of Alix&#39;s use of asymmetry for its poised disequilibrium, the jacket&#39;s center front opening is shifted to the left of the body.</p>

<p>The jacket is amazing and I gasped when i saw the first picture. IMHO it works better without the pants.</p>

<p><a href="https://www.metmuseum.org/art/collection/search/82104">https://www.metmuseum.org/art/collection/search/82104</a></p>
</div>

Evening Ensemble -Alix 1935

I'm writing a story set in 1834. A group of country women, who are poorer, are preparing to host and entertain a couple of richer, more fashionable ladies from the city. I thought that the country women might alter their old (mid 1820s) dresses to fit the fashions of the early 1830s, after seeing fashion plates in their Lady's Magazine.

Would it be feasible for one to "let out" the sleeves in the 1820s dress to approach the fullness of the 1830s sleeves? How else might one make-do as the fashions changed (but their pocket-book did not)?

Image credits:

Mid-1820s dress: [https://www.metmuseum.org/art/collection/search/107952](https://www.metmuseum.org/art/collection/search/107952)

1832 dress: [https://www.metmuseum.org/collection/the-collection-online/search/98067](https://www.metmuseum.org/collection/the-collection-online/search/98067)

<div class="md"><p>I&#39;m writing a story set in 1834. A group of country women, who are poorer, are preparing to host and entertain a couple of richer, more fashionable ladies from the city. I thought that the country women might alter their old (mid 1820s) dresses to fit the fashions of the early 1830s, after seeing fashion plates in their Lady&#39;s Magazine.</p>

<p>Would it be feasible for one to &quot;let out&quot; the sleeves in the 1820s dress to approach the fullness of the 1830s sleeves? How else might one make-do as the fashions changed (but their pocket-book did not)?</p>

<p>Image credits:</p>

<p>Mid-1820s dress: <a href="https://www.metmuseum.org/art/collection/search/107952">https://www.metmuseum.org/art/collection/search/107952</a></p>

<p>1832 dress: <a href="https://www.metmuseum.org/collection/the-collection-online/search/98067">https://www.metmuseum.org/collection/the-collection-online/search/98067</a></p>
</div>

Altering 1820s dresses for early 1830s?

Salma Hayek on her lilac Hervé Leger for the premiere of Letal Weapon 4, 10 of July 1998. the dress has criss-crossed bandage detail on top and the waist.

Olympic track athlete Florence "FloJo" Griffith Joyner and fashion Icon, Here in the white lace body suit she used in the Indianapolis trials for the 200m, 23 of July 1988. She only used this suit for this event.

https://www.kerrytaylorauctions.com/auction/lot/lot-120---a-rare-embroidered-purple-velvet-court-train-bearing-the-iconography-of-napoleon-i/?lot=38683&so=0&st=&sto=0&au=144&ef=&et=&ic=False&sd=0&pp=48&pn=3&g=1

<div class="md"><p><a href="https://www.kerrytaylorauctions.com/auction/lot/lot-120---a-rare-embroidered-purple-velvet-court-train-bearing-the-iconography-of-napoleon-i/?lot=38683&amp;so=0&amp;st=&amp;sto=0&amp;au=144&amp;ef=&amp;et=&amp;ic=False&amp;sd=0&amp;pp=48&amp;pn=3&amp;g=1">https://www.kerrytaylorauctions.com/auction/lot/lot-120---a-rare-embroidered-purple-velvet-court-train-bearing-the-iconography-of-napoleon-i/?lot=38683&amp;so=0&amp;st=&amp;sto=0&amp;au=144&amp;ef=&amp;et=&amp;ic=False&amp;sd=0&amp;pp=48&amp;pn=3&amp;g=1</a></p>
</div>

Napoleon court train, early 1800s, Kerry Taylor Auctions.

"Beetlewing dress" worn by Ellen Terry as Lady Macbeth in the Lyceum Theatre production of "Macbeth", 1888 & "Ellen Terry as Lady Macbeth", painting by John Singer Sargent, 1889 ✨

Italian dress which combines chinoiserie imagery and allegorical figures of the Four Continents, 1725–40

Charles James, Tree Evening dress, 1957

Mi abuela con su vestido de novia, diseñado por Balenciaga. 1947

Very cute cotton dress, 1872

https://www.1stdibs.com/fashion/clothing/evening-dresses/1920s-hot-pink-burnout-silk-velvet-drop-waist-flapper-cocktail-dress-crys/id-v_3494113/ 

<div class="md"><p><a href="https://www.1stdibs.com/fashion/clothing/evening-dresses/1920s-hot-pink-burnout-silk-velvet-drop-waist-flapper-cocktail-dress-crys/id-v_3494113/">https://www.1stdibs.com/fashion/clothing/evening-dresses/1920s-hot-pink-burnout-silk-velvet-drop-waist-flapper-cocktail-dress-crys/id-v_3494113/</a> </p>
</div>

Cocktail dress made of hot pink burnout silk velvet with a crystal buckle, 1920s ✨

My dads or grandpas… I’m wondering if it’s worth anything 

<div class="md"><p>My dads or grandpas… I’m wondering if it’s worth anything </p>
</div>

What war is this jacket from?

For her wedding, Jackie Kennedy wore an Ann Lowe dress that featured an 50 yards of silk taffeta, a portrait neckline, bouffant skirt, pleated bodice, scalloped hem and large rosettes and small wax orange blossoms, which was a trademark of Lowe’s designs.

French Afternoon dress, cotton, circa 1855

A place for historical garments, past patterns, illustrations, demonstrations, perukes, petticoats, hoops, codpieces, houppelandes, hennins, restorations and recreations from long ago.

Fashion historians, costumers and enthusiasts are welcome to celebrate some good-old-fashioned fashion.

Like this?  Check out /r/vintagefashion, /r/TheatricalCostuming and /r/HistoricalCostuming !

Interested in history, outside of the clothes?  Check out [The History Network](http://www.reddit.com/r/HistoryNetwork) on Reddit.

<div class="md"><p>A place for historical garments, past patterns, illustrations, demonstrations, perukes, petticoats, hoops, codpieces, houppelandes, hennins, restorations and recreations from long ago.</p>

<p>Fashion historians, costumers and enthusiasts are welcome to celebrate some good-old-fashioned fashion.</p>

<p>Like this?  Check out <a href="/r/vintagefashion">/r/vintagefashion</a>, <a href="/r/TheatricalCostuming">/r/TheatricalCostuming</a> and <a href="/r/HistoricalCostuming">/r/HistoricalCostuming</a> !</p>

<p>Interested in history, outside of the clothes?  Check out <a href="http://www.reddit.com/r/HistoryNetwork">The History Network</a> on Reddit.</p>
</div>

<div class="md"><p>A place for historical garments, past patterns, illustrations, demonstrations, perukes, petticoats, hoops, codpieces, houppelandes, hennins, restorations and recreations from long ago.</p>

<p>Fashion historians, costumers and enthusiasts are welcome to celebrate some good-old-fashioned fashion.</p>
</div>

108,335 Subscribers

Woman's Dress and Petticoat (Robe à la française), France, textile circa 1750, constructed circa 1760.

Evening dress designed by Jacques Doucet, made of black silk lace with bead embroidery and velvet, silk chiffon sleeves with inset lace, and a belt of gold grosgrain ribbon, c. 1903. Kyoto Costume Institute

Altering 1820s dresses for early 1830s?

Mi abuela con su vestido de novia, diseñado por Balenciaga. 1947