This is pretty wretched, ngl.

(Edit: Answer found! TY, thisgirlnamedbree! The Only Child. You can watch it on Tubi!) I saw like the last hour of this movie randomly on one of the free streaming channels today, but have no idea what it was. Most likely a made for TV movie, but maybe too bad to have made it on TV. Here's the description:

There's a father and daughter in Texas. Black cast (just for description.Nothing to do with the quality of the film). The mother has died in a car accident, and since then, all this bad stuff starts happening around the family. Turns out the daughter is doing all of it.

She hoses a guy down with a gas pump and lights him on fire with a lighter she just happens to have in her pocket.

She tries drowning a boy in a swimming pool because she's jealous that her only friend called him her best friend

That same night she convinced the girl who just nearly had her best friend drowned to death to let her sneak over and spend the night. So the murderer girl tries to murder her friend's mother because she was worried the mother was going to make moves on her dad.

Right as the girl was about to stab her friend's mom to death, a detective who was on to her and the girl's father bust in and stop her. The girl ends up getting shot.

Anyway, it was so bad it was actually really entertaining. Really bad writing and acting, and supposed to be serious, but really fun! Anyone know what this movie is? The Only Child

These characters are so dumb. I could give more info about their stupidity but this would turn into 10 pages. So the main characters are the four agents, ground control, the cabin crew, the prisoners, detectives, pilots. Stubbs, one of the prisoners being transported stabs agent Arquette with a soap dispenser thing that arguably agent Riordan missed(although I don’t really blame agent Riordan) agent Arquette was really dumb anyways and wasn’t paying enough attention to Stubbs, even when Stubbs claimed to be washing his hands(which requires zero privacy) And Stubbs was not washing his hands.. the water wasn’t even going because he was taking unscrewing the faucet. Agent Riordan is stood outside(why didn’t he leave the toilet door open?) He attempts to react but is shot twice and injured. The purser hits an alarm button for the cockpit…but doesn’t think to use the intercom. She instructs passengers to get down. Agent Riordan is held as a hostage and he tries to make up for his mistake by attempting to tackle Stubbs but he is then killed. Agent Green instead of using his gun, engages Stubbs in a fight. Why!? Agent Douglas does nothing the entire scene, it’s like a Batman fight he literally just holds his gun in his hand, not firing, not guarding the other prisoner. He stands so far away from the fight and doesn’t even help Green fight Stubbs, let alone shoot Stubbs. The pilot acts dumb, instead of sending the co-pilot, he himself leaves the cockpit during turbulence and can surely hear gunshots and rushes(why!?) down the stairs, ignores instructions and obvious signs to stay back and is accidentally shot dead during the struggle between Stubbs and Green. During this time the purser and passengers have been looking around at the spectacle despite shots going near them. Another shot hits the plane causing depressurisation. Why have none of the cabin crew used the intercoms to alert the pilots and also in real life you would get heroes they would intervene and try and help.

The co-pilot requests emergency clearance and then…he gets overwhelmed, stressed and frustrated because he can’t get hold of cabin crew and doesn’t know what’s going on. So he gets up(surely violating protocol of abandoning the cockpit, now zero pilots are strapped in) he puts the plane on autopilot…during depressurisation. While attempting to enter the cabin and find out what’s going on he is knocked by turbulence and is knocked out and disengages the autopilot in the process nearly killing everyone. Passengers go flying(why hadn’t they been buckled, prior to these events the pilot said to buckle up due to turbulence and surely after depressurisation they should’ve). The plane plummets, Teri(main character) patches up the hole but doesn’t use the suitcase to hit Stubbs. Autopilot is the real MVP, it engages itself. Green and Stubbs are separated and rather than hide behind a corner or use his gun Green surrenders but is killed by Stubbs. Weaver(main villain) tries to calm the situation because Stubbs now holds Teri hostage. Weaver is revealed to have picked up Riordan’s gun. Douglas surrenders, is pistol-whipped by Stubbs and nearly thrown out the plane. Weaver kills Stubbs who instinctively shoots Douglas before collapsing. The cabin crew try and save Douglas and Weaver takes this opportunity to convince Teri to give him(a serial killer!) the cockpit key. Teri gives it to him. The purser tells flight attendant Carl to go with Weaver…Carl doesn’t. Weaver enters the cockpit and finds the co-pilot breathing and strangles him off-screen to prevent him recovering and potentially landing the plane. Later he kills the purser Maggie, locks up the passengers in a hold and tries to sabotage Teri’s many attempts at landing. Teri finally kills him and lands. The passengers and flight attendant Betty are useless. The cabin crew could’ve helped Green fight Stubbs. Honourable mention for idiocy: a fighter jet pilot who instead of shooting the plane down gives Teri a chance at landing despite nearly crashing and killing dozens of people, and had that happened could’ve been indicted for manslaughter.

Title is self explanatory lol. I want movies with dogshit visuals, incomprehensible plots, hilariously awful acting, and stupid fight scenes. Any recommendations?

This movie is hilarious from the casting to the script, please to yourself a favor and watch it, its on youtube

There's a post right now r/watchitfortheplot with Tara Clark in "Babysitter Massacre" and it got me interested in checking out some more movies like this, specifically in the more modern era like 2010s+. It can be a raunchy comedy or a horror flick, it doesn't matter. The worse acting the better lol. Let me know what you've got!

There have been adaptations of The Most Dangerous Game, where a millionaire big game hunter has decided he needs a real challenge, but this film ups the ante by having the prey be a werewolf instead of a human, yet that was not enough for Amicus Pictures as we also get an Agatha Christie "And Then There Were None" mystery, Sadly, there isn't much of a mystery and the werewolf in question looked like an adorably fluffy German Sheppard.

Note: The film had the added gimmick of a "Werewolf Break" that would allow the audience time to guess the werewolf’s identity based on clues from the film.

This is a deliciously campy blend of horror, mystery, and 1970s blaxploitation cool, thanks to Calvin Lockhart’s charismatic lead performance. With groovy music, over-the-top theatrics, and a delightfully ridiculous werewolf costume, it’s a howling good time.  

The Beast Must Die (1974) A millionaire big game hunter gathers six people at his remote English mansion, announcing that he suspects one of them is a werewolf. Can you guess which one?

My controversial opinion regarding "bad movies" is that, despite being cheesy, campy, or outright terrible, these films possess a unique entertainment value that is truly priceless and should be watched just because of this factor rather than the financial or the words of the critics.

No matter how low the quality may seem, each movie represents a significant investment of time and resources, and most importantly, somewhere out there is an audience that finds joy in it, even if that joy is different from mainstream enjoyment.

These films often exhibit a distinct charm that arises from their imperfections, this charm captivates audiences, provoking laughter, generating a sense of nostalgia, or even fostering a sense of camaraderie among viewers, critics, and devoted cult followers.

While opinions may vary widely on cinematic merit, there exists a shared appreciation for films that are so bad they become good, this phenomenon encourages individuals to gather and watch these movies together, equipped with an open mind and a willingness to embrace the quirky moments that make them special.

Moreover, it is crucial to recognize that every movie, regardless of its execution quality, is birthed from someone's creative vision, countless hours of effort and dedication have been dedicated by directors, writers, and actors to bring their ideas to life.

This alone warrants recognition and appreciation, even when the final outcome may not resonate positively with the wider audience. There remains a niche group that values these films primarily as sources of entertainment, rather than subjects to critique harshly.

Adopting this perspective allows us to celebrate the endless style of storytelling found within cinema, every film, no matter how flawed, convoluted, or outright bad it may be, serves the purpose of entertainment as it did for me during the 1990s when the video store that used to be in my town carried B-movies and I used to watch them on every Saturday morning and this really stuck with me even when I'm 36 years old now and still remember that.

This unique quality sets them apart and transforms them into something memorable, when we look beyond our biases and criticisms, we can discover layers of artistry and genuine effort within a movie that may not have achieved acclaim from critics but resonates deeply with a smaller audience.

In this light, "bad movies" become a fascinating exploration of creativity and the human experience, illustrating that even the most critically panned films can hold a special place in the hearts of those willing to appreciate them like I do no matter how bad they are to some people that doesn't mean every movie is terrible we have opinions and sometimes other perspectives challenge them, at the end of the day, we should embrace the quirkiness, madness, and absurdity of these masterpieces.

I cannot say whether or not this was a good movie because I couldn’t see shit for large portions of it. This appears to have been shot by someone who has never held a camera before, and I’m not sure any of the adults in here are legally allowed to be this close to children. It was the 70s, seems to have been a French-Canadian (sigh) production, and I have never seen anything remotely like it. Trailer below, which looks almost like an entirely different movie than what I watched.

1. Gigli (2003)

Plot:
Gigli is a romantic crime comedy that centers around Larry Gigli, a low-level mobster portrayed by the iconic Jennifer Lopez. When Larry is given the seemingly simple task of protecting a mentally challenged man named Brian, played by Justin Bartha, his life quickly spirals into chaos. Complications arise when he teams up with a hitman named Rick, played by Ben Affleck. The film is marked by an odd couple dynamic that muddles through a rough patch of criminal antics and unexpected romance, resembling a disaster in slow motion more than a traditional rom-com.

Notable Scenes:

• One of the film's most infamous moments is dubbed the "Gigli dance," where Jennifer Lopez attempts to embody the persona of a mobster while awkwardly dancing with Affleck. It’s less of a choreographed routine and more like a comedic how-to guide on what not to do at a party.
• Another painfully awkward moment unfolds when Lopez engages in a monologue about her "special skills," with her gaze peering off into oblivion — reminiscent of a sitcom character unsure of their next punchline. The delivery adds a layer of cringe that is both hilarious and uncomfortable.

Lines:

• “You don’t know me. You don’t know anything about me.” This iconic line, delivered by Ben Affleck, captures the essence of his character and the movie's tone — unexpected and bewilderingly out of place, considering it's from a film revolving around mobsters and love.

Controversies:
Often labeled as a “Hollywood disaster,” Gigli almost derailed the romance of the much-publicized couple, Bennifer. Yet in retroactive appreciation, it has transformed into a cult classic, celebrated for its unintentional hilarity and awkward encounters. For anyone seeking a film that’s both cringeworthy and oddly delightful, Gigli delivers an experience that’s hard to forget.

2. Ballistics: Ecks vs. Sever (2002)

Plot:
This action-packed film stars Antonio Banderas and Lucy Liu as two former operatives, Ecks and Sever, who find themselves embroiled in a convoluted web of espionage, technology, and betrayal. The film falters in its genre identity, resembling a mashup of a spy thriller and a typical action flick, all while failing to deliver coherent narrative explanations.

Notable Scenes:

• One standout scene features the two protagonists dramatically tumbling through windows, but instead of showcasing any real sense of finesse, their airborne escapades look like a poorly choreographed dance sequence. It’s an exercise in style over substance that manages to entertain despite its absurdity.
• In another memorable moment, Lucy Liu strolls nonchalantly through a chaotic gunfight, evading bullets as if she were gracefully sidestepping a minor inconvenience at a yoga class, adding to the film's overall ridiculous flair.

Lines:

• "The world will end in a firestorm." This line, delivered with utmost seriousness, is met with a barrage of explosions, leaving audiences bewildered about its meaning but entertained by its melodramatic delivery. The ambiguity is part of the charm.

Controversies:
Despite its colossal failure at the box office, it feels as though the creators were aware they were crafting something outlandishly silly and embraced this perspective. Ballistics: Ecks vs. Sever plays like a guilty pleasure, an action film rich in greasy, cheesy entertainment that leaves viewers both shaking their heads and mildly satisfied.

3. The Adventures of Pluto Nash (2002)

Plot:
Set in a whimsical, futuristic world, Eddie Murphy plays the titular role of Pluto Nash, a moon-based nightclub owner who finds himself entangled in a conspiracy to save his establishment from a gangster takeover. The narrative quickly devolves into a bizarre universe, rife with eccentric characters and CGI effects reminiscent of early 90s video games, which only amplifies the film’s peculiar charm.

Notable Scenes:

• One particularly humorous scene highlights Nash's battle against clumsy robot henchmen, whose malfunctioning abilities make their menacing presence feel more comedic than threatening. Their less-than-brilliant attempts at intimidation are a far cry from what one would expect from "advanced" technology.
• The film also features a lackluster floating car chase that feels painfully slow-paced, showcasing the film’s struggle to balance humor with action in a universe filled with zero-gravity antics.

Lines:

• "You’re a criminal. That’s what you do!" is a line that serves as a blatant acknowledgment of the film’s plot yet delivers an unintended chuckle for its simplicity.
• “Get in the car, and let’s go to the moon!” encapsulates Eddie Murphy's signature humor, reminding audiences to embrace the playful absurdity woven throughout the film’s narrative.

Controversies:
Pluto Nash is infamous for its catastrophic box office performance, solidifying its status as a cult favorite for those who revel in cinematic misfires. Its charm lies in the sheer peculiarity of its execution, making it an oddly enjoyable watch that’s difficult to resist.

4. Osmosis Jones (2001)

Plot:
Osmosis Jones presents a unique blend of live-action and animation, following the story of a talking white blood cell, Osmosis Jones (voiced by Chris Rock), who partners with a cold pill to battle a virus threatening the body of Bill Murray's character. The film’s premise transforms the human body into an elaborate, action-packed battlefield where health science meets comedy in a totally unexpected way.

Notable Scenes:

• A key highlight occurs during the epic showdown between Osmosis and the villainous virus, Thrax. As they engage in a dramatic face-off, the stakes escalate, drawing viewers into the unexpected intensity of what’s essentially a biological battle.
• Live-action scenes featuring Bill Murray provide a comical juxtaposition, showcasing his character's poor lifestyle choices — from devouring fast food to ignoring the results of neglect. These moments serve as both comedic relief and a humorous critique of health habits.

Lines:

• "This is a no-fly zone!" is a humorous remark made as Osmosis attempts to navigate an airplane within a human body. The absurdity of the situation pairs perfectly with its offbeat humor.
• "Look, you’re not the first cold I’ve ever had. I’ve had worse." Bill Murray’s dry delivery perfectly encapsulates the film's blend of absurdity and relatability, remaining a memorable line eluding to personal experiences.

Controversies:
While Osmosis Jones didn’t set the box office on fire, it secured a special place in viewers' hearts for its innovative concept and unforgettable comedic moments. Its ability to engage audiences with health-related humor combined with a classic Bill Murray charm makes it an endearing watch that sticks with you.

5. Battlefield Earth (2000)

Plot:
Battlefield Earth, based on L. Ron Hubbard's novel, transports viewers to a dystopian future where Earth is ruled by the alien Psychlos, led by Terl, played by John Travolta. This sci-fi epic follows Jonny Goodboy Tyler, portrayed by Barry Pepper, as he tries to liberate humanity from its alien overlords. The film grapples with heavy themes of oppression and rebellion but does so with a bizarrely executed narrative that veers into the realm of absurdity.

Notable Scenes:

• One of the most memorable instances is the way the film portrays the alien civilization; their motivations and culture often come off as ludicrously exaggerated, making the world-building feel haphazard and disjointed.
• The cinematography also garners attention – the overuse of Dutch angles creates a dizzying visual experience that distracts from the factual narrative, giving the viewer a sense of perpetual imbalance.

Lines:

• An array of lines delivered by Travolta echo the film's clunky dialogue, but lines such as "I’m a human! I want to be free!" symbolize the film's thematic aspirations, albeit lost in its convoluted execution.

Controversies:
Battlefield Earth was universally panned both by critics and audiences, and deemed one of the worst films of all time. Nevertheless, its notoriety has led to a cult following that revels in its unintentional humor and bizarre choices. It’s often revisited as an example of the fine line between creative ambition and cinematic disaster, making it a fascinating piece of film history that invites viewers to embrace its outrageousness.

Uwe Boll typically gets shit on for making terrible movies (and this is justified) but Tunnel Rats (2008) is actually a half decent movie. If you have seen it, what's your take on Tunnel Rats?

1. Gigli (2003)

The "So Bad It’s Almost Good" Rom-Com

Gigli is a romantic comedy that’s less about love and more about what happens when two megastars, Jennifer Lopez and Ben Affleck, try to convince us that they have chemistry. Spoiler alert: it’s mostly awkward but in an oddly endearing way. This film offers viewers an unforgettable ride through a world where mobsters and romance somehow collide in the least convincing way possible. With a plot that seems lost in its own existential crisis, Gigli delivers some of the most confused, yet oddly charming moments in cinematic history. Is it a love story? A crime thriller? A master class in “how not to write dialogue”? We’re still not sure, but somehow, we’re kind of glad it exists.

2. Ballistic: Ecks vs. Sever (2002)

Explosions, Gimmicks, and One-Liners

If you’ve ever dreamed of watching a movie where the plot is barely visible beneath the relentless barrage of explosions, then Ballistic: Ecks vs. Sever is your guilty pleasure. The film stars Antonio Banderas and Lucy Liu as agents with way too much access to high-tech gadgets and the weirdest hairstyles ever to grace a set. The dialogue is straight from a first-draft action movie script, and the action scenes are so over-the-top, that they make Fast & Furious look like a slow-moving indie drama. Sure, the film doesn’t make a lot of sense, but it’s got enough mindless action to make you wonder if it was secretly made just to entertain your inner 14-year-old. Spoiler: it’s a thrilling, chaotic mess—but somehow, it's fun!

3. The Adventures of Pluto Nash (2002)

The Sci-Fi Comedy That Defies All Logic

This film is like someone handed Eddie Murphy a handful of wacky space props, some glitter, and a few unconvincing CGI backdrops, then said, “Go ahead and make a movie!” The result? The Adventures of Pluto Nash—a sci-fi comedy so confused about what it wants to be that it somehow becomes a charming disaster. Set in a future where the moon is a neon-lit shopping center, the film’s plot doesn’t so much unfold as it sputters and trips over itself, like a rollercoaster without brakes. Sure, the special effects are laughably outdated, and Eddie Murphy’s character’s motivations are as clear as a foggy day, but there’s something undeniably sweet about it. It’s like that one uncle who’s a little off but always means well—even if he’s been drinking too much space juice.

4. Osmosis Jones (2001)

The Animation That Should Have Been A Lab Experiment

Osmosis Jones is the film that proves our bodies might be even more gross and chaotic than we give them credit for. A live-action/animation hybrid that takes us on a wild adventure inside a human body, where Bill Murray is unintentionally poisoning himself with fast food and germs are causing havoc. It’s like the movie took the concept of a biology textbook and threw it out the window, replacing it with a fever dream of anthropomorphized white blood cells and organ-based comedy. The film’s odd combination of wacky humor, body horror, and educational content makes it an unintentional cult classic. Sure, it's quirky and sometimes downright bizarre, but the animation is clever, and the story’s heart (pun intended) makes it a guilty pleasure. Plus, Chris Rock is a talking white blood cell? Comedy gold.

5. Battlefield Earth (2000)

The Space Opera We Deserve (But Don’t Need)

John Travolta in Battlefield Earth is a spectacle of a man, acting like a cross between a misunderstood Shakespearean villain and a confused alien overlord. The film is a sci-fi epic that’s so bad, that it has earned its place in history as one of the worst movies ever made—and yet, there's something undeniably charming about it. The acting is over-the-top, the dialogue is unintentionally hilarious, and the whole movie seems like it was filmed through a fisheye lens because why not? The plot is an incoherent mess of space jargon, but in the chaos, it feels oddly like a parody of itself. It’s like the movie equivalent of an IKEA bookshelf—you're not entirely sure how it fits together, but you’re kinda proud it exists, in all its clunky glory.

Bonkers movie starring William Forsythe, in a rare lead role, along side Tate Donovan as dead FBI agents who agree to work for Satan (played by Robert Goulet)
If that's not enough, Bobcat Goldthwait and Gary Busey also appear.

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