/r/Occult_Art
Occult Art Gallery and Marketplace.
Creativity and thought appear to manifest into reality.
Practicing artists are occultists in a broadest sense of the word's definition.
Practicing occultists are most definitely artists!
Creativity and thought appears to manifest into reality.
Original work by Reddit subscribers and contributors (no brand new accounts) are welcome to submit pieces for display, sale, barter. Starving artists most welcome.
If you are a professional artist feel free to link to your portfolio
Titles should be to the point; all extra information or context should be added in the comments.*
Do not submit sketches, doodles or unfinished work. Post these to other subreddits like /r/IDAP, /r/sketches and /r/doodles instead.
Do not post memes-Also, those who post melted crayon 'art' will be banished into the ether.
Mods reserve the right to remove submissions that aren't high quality.This refers both to the quality of the submission and quality of the art. We realize this is subjective, so consider posting in /r/IDAP or one of the other art related subreddits.
Bigotry, racism, homophobia, and all threats physical or other will not be tolerated.
Art Erotic in nature should be tagged as such [NSFW] in title.
Suspected imagery alluding to underage individuals will be removed immediately.
/r/Occult_Art
Hi there,
I am a PhD student working in the domains of philosophy and esotericism; I am also a musician-singer, and I have undertaken the endeavor to transform philosophy and esotericism into music. I share with you my musical exposition of the early alchemist, Zosimos of Panopolis.
Zosimos of Panopolis (fl. 300 ce) can be cited as the most significant Greco Egyptian alchemist. In his text “Of Virtue, Lessons 1-3,” Zosimos recounts a series of psychedelic and disturbing dreams that he interprets as alchemical allegories. I have endeavored to present a thorough yet concise musical summary of its contents herein. You will encounter the alchemical lexicon here expressed in raw, primal form. This text is actually mind-blowing, and my exposition endeavors to be both fun and didactic. Hope you enjoy!
This video ritual was performed after and during an ecstatic meditation practice which is called bailaiskohbah in the open source magickal language vaibbahk.
You can get the book for free here (includes hopefully sufficient cautionary materials): https://alleywurds.itch.io/laiskohbidz
Free book on vaibbahk: https://alleywurds.itch.io/vaibbahk
This hypersigil is a ritual as prose poem with Finnegans Wake style vaibbahk puns who spell esoteric imports and rituals. Beneath the text is a vaibbahk dance spelling out the most important parts of all those puns into a choreography with photos of all postures. Above are Dalle images illustrating the highly symbolic text using images of the rootwords, making them vaibbahk utterances unto themselves, with a grammar as dense as a tarot reading. It also really really helps with comprehending the hypersigil. This is weird stuff. Imagine Finnegans Wake if everything were symbolically illustrated, and the puns had a dance choreography which came with a ritualistic dictionary and tabletop role-playing grimoire that teaches you the grammar to a full dialect of an open source magickal language.
You can likely hear me laughing and so on during the performance. This is because practices similar to bailaiskohbah have a tendency to produce intense positive emotions which can trend towards mania (which can then become more negative for some practitioners). This makes bailaiskohbah a potentially harmful practice for some individuals. Please note the banishing I performed at the end of the video. If you do not have significant experience with banishing and grounding, please do not attempt bailaiskohbah.
Bailaiskohbah has some parallels with Daniel Ingram's descriptions of the jhanas (keeping in mind that some of his definitions don't match traditional buddhist definitions). I have really struggled with translating this technique into any spiritual jargon systems outside of various buddhisms, and a section in the book talks about avenues for further research. I'd be especially keen to hear how experienced thelemites and african diaspora tradition practitioners would render bailaiskohbah in their own spiritual jargons, so please get in touch if you have a practice other than buddhism, and think you have a way to express bailaiskohbah within your tradition. Thank you!
Hi there,
I am a folk singer/musician and PhD student (writing my dissertation on philosophy and esotericism) who has taken on the endeavor to transform philosophy into music, aestheticize knowledge. Enclosed is my musical exposition of the mystical aspects of Platonic philosophy, especially the aspects which the Neoplatonists would reinterpret in their understanding of the mystical ascent. The song primarily follows the trajectory of the Phaedrus and the Symposium, but also references the Republic, Meno, Phaedo, Critias, and the Timaeus.
https://www.youtube.com/watch?v=v1_DeeQ3YLE
I created a lot of hand drawn animations for it, and included a lot of alchemical imagery, as many alchemists did indeed interpret Plato alchemically. I also created a number of animations of the images from the great Neo/Platonist Renaissance magi Robert Fludd, my own artwork, one of Athanasius Kircher’s illustrations, an image from the alchemical treatise the Rosarium Philosophorum, and images from ancient Greek art (the sirens and Eros) that I adapted. Yes, sirens in the ancient Greek context were envisioned as avian rather than aquatic humanoids! The chariot animation was created using the still frames of a film of a horse running (it took awhile to make!).
Some nuances: the line “drinking from the lake of memory” is an allusion to Orphism, as Plato’s theory of anamnesis derives from the Orphic cult. I am also dressed in Egyptian-style attire at one point, a subtle reference to Plato’s debt to the ancient Egyptian religion.
I have been studying and writing about Plato in an academic context for more than 12 years now, I’ve read and written about these texts a lot over the years, and I feel a very deep philosophical affinity with Plato’s philosophy. Though a rationalized mysticism, Plato preserves the knowledge of mythic traditions and mystery cults. In addition to my own knowledge and experience working with this philosophical material, I took inspiration from the books of the late Algis Uzdavinys, one of my favorite scholars, in the construction of the narrative, specifically his texts The Golden Chain and Orpheus and the Roots of Platonism. I also include citations at the end, citing the sources for these lyrics to give it a bit more scholarly weight. I just finished writing about eleven thousand words on Plato for my PhD thesis concomitantly as I constructed this creative artifact, so sharing this feels like a personal culmination. I hope you enjoy this experimental didactic production! As Socrates relates, philosophy is the best music (Phaedo 61a).
I have now created all 514 seals of the Ars Theurgia Goetia, Book 2 of the Lesser Key of Solomon and put them online on Pinterest in 500x500 pixels on a white background including functional tracing boards for each spirit. This fully functional occult ritual symbolism drawn by a Golden Dawn Hermit can be used without restriction for private and personal magical work.
The Compass of Andras by Zévart
I will soon be releasing the Seals of Solomon collection with all 514 seals of the Ars Theurgia Goetia in the Ethereum blockchain as NFT crypto art limited edition in gold and silver.
Hi there,
I am a PhD student, also a folk-singer/musician endeavoring to transform philosophy and esotericism into music. I have for you an alchemical poem by the great German Romantic poet-philosopher-mage Novalis that I have rendered into musical form; I also provide a commentary at the end of the video, illuminating the alchemical and magical references within it.
The effect that Novalis sought to achieve with his poem "Astralis" was nothing less than the completion of the alchemical work, the hieros gamos conjunctio, the unification of the realms of life and death, personal and transcendent, past and future. At the time that Novalis wrote it, he knew he was dying. His true love, Sophie Kuhn, had died a few years previously. While in outward life he had moved on, even becoming engaged to Julie Charpentier, in his inner life, he had not, composing extensive poetry about Sophie. To him, Sophie had been a personal instantiation of Sophia, and had become a mediatrix to the beyond. Privately, he confessed to friends in letters that whilst he felt with Julie more loved than ever before, he would prefer death, in the company of his true beloved. Not much later, his wish would be granted, death ushering him to an early grave.
In the "Astralis" poem, Astralis is the alchemical progeny born from the kiss of the characters of Heinrich and Matilde, who are literary representations of Novalis and Sophie. Like Sophie, in Heinrich von Ofterdingen, Matilde has also met an early death; the unfinished novel has Heinrich undertaking an Orphic and alchemical journey. She is his soul, also the soul of the world. A love that overcomes death, Astralis presents a creation myth of the new world engendered by love.
Featuring images from alchemical manuscripts animated by me and a slew of stop motion sequences created by yours truly, including of a collection of bones that I found in a lake.
Zine Seeks Writers
Im starting a pdf zine about the Occult, Art, and Weirdness. Im currently seeking 2000 or under articles [please include sources ], stories, and poetry about things that involve one or all of those subjects. Currently can’t pay, but I'll put your contact info below what you write.
If interested contact me at - thanielionlee[at]gmail.com
Hi there,
I present to you my piano sonata and experimental film based on the ideas of alchemist Jakob Boehme. In Jakob Boehme's theosophy, Sophia is the bride of the soul, and the mirror that God imagines in. She is the Mirror of Wisdom, her wisdom a pearl. Redolent of Ezekiel's vision, Boehme describes God as akin to a wheel or eye; Sophia is also an eye, the beautiful divine image and reflection. According to Boehme, she resides within one's fiery soul of the heart, in one’s Gemüt. This Theophany also features imagery of Boehme’s conception of the 7 source-spirits, the burning heart, and countless other alchemical symbols. It’s meant to be a theophanic experience—meaning a presentation of the deity in tangible form. Hope you enjoy!