/r/ambientmusic
A subreddit for fans of ambient music and all its sub-genres.
Ambient Music Overview
Here is a loosely organized overview of ambient music featuring some notable artists and releases. Huge thanks to this sub's ambient community and the book Ambient Century by Mark Prendergast which were extremely helpful putting this together.
Composers
Tape & Recording Manipulation / Musique Concrète / Early Electronic
Minimalism
New Age
Rock/Prog/Metal
Synthesizer Music
Electronic
21st Century Indie ambient & Modern favorites
r/ambientmusic Top 10 ambient albums of 2022
r/ambientmusic Top 10 ambient albums of 2023
/r/ambientmusic
Looking for more ambient music with a pretty singing voice on it, bands like grouper, Ana Roxanne, Julianna barwick for example. All ambient with really really pretty vocals. I don't mind the gazier side of grouper either (like AIA dream loss) so if you have recs with really gorgeous vocals(can be male or female vocals doesn't matter) I'd love to hear it
The history of ambient music is filled with albums intended to be played at medium volume. Acoustically that's how they sound best and transmit their healing cosmic waves. However, I've been known to blast William Basinski in my car. Some records are incredibly dense and were recorded at high volume (Pauline Oliveiros, Glenn Branca, Sunn 0))) Some records are recorded to be very mellow (Brian Eno, etc), but when you play them at high volume, you see through time.
So what are the soft albums that sound great at high volume? What rocks?
The soft piano, the haunting atmosphere, its sparseness that’s so effective at evoking some kind of eerie, alien world. I don’t know. Its gentleness - I cannot find anything quite like it. It’s otherworldly.
Thank you.
Meditative
More precisely, dark ambient. Or maybe even pushing the boundaries of industrial or noise.
I’m not at all looking for a standard drone, which is often called ambient, low-pitched electronic hum can be found anywhere in billions of quantities, I need something more interesting, maybe melodic.
Good examples of gold balance in my opinion - Atrium Carceri, and The Haxan Cloak.
Can also take as an example Coil, Cyclobe, Pharmakon, Bad Sector, Couronne de Merde, Zoviet France, ambient works by Trent Reznor, Einstürzende Neubauten.
Classical, drone, glitch, dark, synth, space etc.
Ambient music, in its various forms (dark, lo-fi, meditation etc.) is both a niche genre and a plethoric musical trend, as evidenced by the mass of albums and tracks on Bandcamp and all the platforms (and I contribute to them, of course).
I wonder if this exponential growth is due to the fact that it's relatively easy to compose and produce ambient music compared with other musical genres (jazz, rock, classical, etc.). Most ambient music is produced by solo musicians (although there are a few bands). All you need a minima is a midi keyboard, a computer, a few plug-ins and a DAW - no need for renting a rehearsal and professional recording studio. Ambient music is a genre for “home musicians”, with set-ups that can be very small. It is also characterized by a certain number of formal features - drones, stretched pads, long reverb, arpeggios - which, most of the time, do not require great instrumental dexterity, or even advanced harmonic knowledge, unlike jazz or classical music, for example...
Is ambient the musical genre par excellence for non-musicians? There's nothing pejorative about that: Brian Eno has said it over and over again...
Doesn't one reason for this exponential production also lie in the “utilitarian” nature of ambient music today, listened to as a backdrop for meditation, relaxation, yoga or even falling asleep? Could it be that ambient music reveals a tired, anxious, insomniac society, or one dreaming of spiritual escapism and “mindfulness”?
And finally, while this quantitative explosion of ambient music is of course positive, with more and more people practicing and enjoying it, doesn't it also have perverse effects, making creative breakthroughs and innovations more difficult, both because of the difficulty for them to gain visibility and because of the inertia and habituation effect of a predominantly standardized production?
Just a few questions I ask myself as I reflect on my own musical practice....
A great quote from this new interview https://joachimspieth.de/2024/04/23/focus-rafael-anton-irisarri/
I discovered this compilation when it was released three years ago by Bongo Joe Records. And, for me, it's my go-to summer ambient soundtrack (I only listen to ambient on autumn/winter otherwise). It has this liminal/oneiric feeling of a fever dream; it reminds me of some Canary Islands aesthetic (such as nature and raw places in La Palma or Lanzarote), probably because I listened to this compilation there a couple of times since it released (also, Malagueñas 2, my fav track there, was made by Javier Segura, from Tenerife).
Hello friends
I could write a big long story about what's coming up, but the short of it is:
Current go-tos are more neo-classical piano dominant (Hania Rani, Nils Frahm, Olafur Arnaulds, Joep Beving) but I'm open to anything and everything :)
PS. Outside of Music for Psychedelic Therapy, I find Jon Hopkins a bit too intrusive for what I am looking for if that helps at all
Thanks everyone.
Be well
Not amb, but enjoyable af
so this guy says future music may come with expansions for other senses with "tastes, colors" and "frequencies currently not available" so we can even "amplify and extend our hearing range"
any existing experimental works come to mind?